Most of the time when I am conducting an interview with a soap star, I have more interview material than space for printing the interview. Here are some blurbs from stars that did not make it to the print version of the interview, but were too good not to publish.
Jennie Garth (on deciding to compete on “Dancing with the Stars”): I had like a moment of insanity when I said yes to that. I didn’t realize, sometimes you get yourself into things and you are like, “What have I done?” And that was definitely one of those things for me, but once you are in, you can’t get out. I just had to keep moving forward. I had to keep going. It was go-time, and I had to go. It ended up going well — much better than I thought — but every moment, every turn, was unknown to me. I was in unknown territory. But it was fun, and it was exhilarating. It was challenging, and it was kind of freeing in that I really feel that I could do anything.
Jaime Pressly (on doing a wrap-up or reunion show for “My Name Is Earl”): I would be game to go back to that set and work with those people any day, any time. And I think everybody else that was a part of the show would say the same thing. It was the greatest job I’ve ever had and the greatest group of people that you could ever ask to work with. They all hold a very dear place in my heart, and I miss them all terribly.
Erin Karpluk (on similarities between her and her character on “Being Erica”): I like that when life gets her down or she stumbles in life, she is able to pick herself up, dust herself off and keep going. So that is something that I have learned personally from her. I've heard from friends and family that there are certain quirks and mannerisms that are my own that come out in the character. Usually any kind of awkward moments she is having is probably pretty authentically Erin, because I find that I can be awkward in life, and I’m not afraid to make mistakes. That is something of me that I bring to the character. And then on a dramatic level, anything to do with family is something that I can just draw upon from real life. The one thing that Erin and Erica both are is we are very committed and empathetic toward our loved ones. My family and my friends mean more to me than anything. I feel very lucky to have that connection in my own personal life, so I can draw upon that in my acting experiences. The fact that I work with such wonderful cast members, it just makes it so easy for us to have that connection. It’s like a real family I have now when I go back to Toronto to shoot. It’s really lovely to go back to those actors and create those connections.
Ross Thomas (on working with Helen Hunt and Dennis Quaid on “Soul Surfer”): It was a bit surreal, to be honest. They both are icons in their own right and a pleasure to work with. Helen is an avid surfer — surfing is what really brought us together. Dennis is interested in learning and getting good. At first, he played golf on his days off, but we got him hooked, and he became a surf junkie. I think that really carried over into our performances, that sense of family.
Jane Seymour (on her children in the biz): My son, Johnny, one of the twins, is becoming a rock star. He is about to be signed by a major label. He’s writing this amazing music. He’s extraordinary. He’s the lead singer and the lead guitarist. I’m just in awe of his talent. Then my oldest son, Sean Flynn, he’s 25, he does the most extraordinary photographic art. Collectors have already been buying his stuff. He was studying to be a filmmaker and all of a sudden, the next thing I know, he’s doing this really unique, extraordinary photographic art. One of my daughters, Katherine Flynn, is an actress. She also writes great comedy. She ended up staring opposite me in a movie called “Perfectly Prudence” for the Hallmark Channel just recently. She was fantastic in it. She played my daughter. Of course, it wasn’t much of a stretch. But it was fun, because she had a lot of scenes with Joe Lando who, of course, was my “Dr. Quinn” co-star.
Heather Locklear (on flexing her comedy chops on “Saturday Night Live” in the ’90s): That was my favorite! That was my most favorite thing I’ve done where you could see that I’m funny. I had such a great time doing it. And that “Melrose Place” take-off was so funny. So perfectly perfect. I have a meeting coming up for something soon, something funny, so we’ll see.
Sharon Case (on Sharon’s lack of support from the men in her life): I think Sharon didn’t feel like she really did have a lot of support. She really felt like the town wasn’t quite behind her. Jack is “supportive,” but he has his own motives, and Nick was trying to get custody of her child, and Adam — though he is her only real, true support — he was off trying to find evidence to help her. But Sharon didn’t feel that she had an army of friends supporting her by any stretch of the imagination. She doesn’t trust Jack. When they were married, Jack was a liar, and besides, he’s back with crazy Phyllis, so why would she trust anything that he is doing? That lowers him on the totem pole in her mind. She knows he has ulterior motives, as well as Phyllis. When those two were insisting on “helping Sharon,” Sharon wasn’t even interested in that. I guess she was more humoring them by letting them think they were “helping.”
Mark Pellegrino (on the variety of the roles he’s played): Well, I’m glad that it is happening that way. Some folks would like to say that I’ve played bad guys. I think if I play the bad guy, I try to — I can never look at myself as a bad guy. I always try to bring out the good and the moral and the right that the person is going for, so hopefully any variety that I’m able to bring to a role just happens because I’m trying to find the human thing and not act in an archetypal way.
Eric Winter (on possibly working with wife, actress Roselyn Sanchez): You know, I don’t know. If the right project ever came up, and it made sense, then sure. I mean, we’re not completely against it, but it’s one of those things that a lot of couples — sometimes you keep it separate, but if the right opportunity presents itself, then who knows?
Monday, May 23, 2011
Interview Outtakes
Monday, February 28, 2011
Interview: Catching Up With Mark Pellegrino
Mark Pellegrino (photo credit: Eric Williams) is a versatile actor whose credits include “Lost,” “Grey’s Anatomy,” “Supernatural,” “Dexter,” and “The Big Lebowski” and many more. Now fans can catch him on Syfy’s latest supernatural drama, “Being Human.” In the weeks since its Jan. 17 premiere, it has shattered records for the network, becoming a bona fide hit. This ain’t a flash in the pan either: “Being Human” is an engrossing and thrilling drama about a vampire, a werewolf and a ghost all sharing the same house as they try to “live” together as best they can.
Before you start thinking, Oh, it’s another “Twilight” or “True Blood,” you need to watch the show, which airs Mondays on the Syfy network at 9 p.m. I spoke with Mark — who plays vampire-boss Bishop in the series — recently, and he shed some light on “Being Human,” dispelling any comparison to previous vampire/werewolf series.
Daytime Dial: What can you tell me about Bishop, who is not only a vampire, but a lieutenant on the police force?
Mark Pellegrino: He’s not only a lieutenant on the police force, he’s a proprietor of a funeral home, which goes back in the vampire family history. He’s the vampire boss of Boston, and his basic motivation is to consolidate his power and to bring Aidan back into the family. Aidan has decided to quit being a vampire, so I’m trying to bring him back into the fold.
DD: What sets this show apart from the other vampire and werewolf movies and TV series?
MP: It’s literally about humanity. It’s not like it’s a romance novel; it’s people who have very serious issues that they’re contending with. I think that the title, “Being Human,” says it all. Being human is not just about, for these characters, assimilating, but being human is dealing with character flaws. Everybody has to deal with their character flaws, and for these characters it’s literal monsters within them that they have to control and battle with. What I think makes it unique as well is that it’s not just scary, and it’s not just funny, but it’s also a story about family. And I don’t think you get that as much from the other vampire/werewolf stuff.
DD: What do you enjoy about playing Bishop?
MP: I like the fact that Bishop is really, really smart and patient and constant. He knows what he wants. He’s old enough, has been around long enough and is wise enough to know how to make sure all of the cards are in the right place, and I like a guy like that. He’s about family too. Some people might look at Bishop as a bad guy, but I look at him as a guy who just wants to keep his family together.
DD: I love that all of these cable networks — like Syfy, TNT, HBO and Showtime — are developing their own programming, because they can take more risks with their shows. Was this aspect appealing to you as an actor?
MP: I love that. I love that shows are doing that. Television is interesting now, don’t you think? There’s almost too much to watch, and it’s all really, really good.
DD: What are some risky aspects of this show that attracted you to it?
MP: What really nailed me for the show probably wouldn’t be considered risqué per se, but the simple humanity of it. Every situation is based on something that every other human being can relate to. It’s not some mythic romance stuff, but it’s stuff that everybody goes through, just transposed through the supernatural world. To me, that’s where they’re breaking ground. You can touch all of these characters and say, “I’ve seen this guy” or “I’ve experienced this before.” I think that is really cool.